Why It’s Absolutely Okay To Servicemaster Industries Inc Spanish Version Posted – 2009.10.21 09:41:00 – [25] – Quote I have to add on that I’m not actually surprised that the US government had to start handing out what they thought would be 50% of the product royalties every year. The US government just refused to buy the license for POF2, and then they banned the German publisher from distributing POF2 in their country. Seriously, now they could not agree on distributing the copyrights in one country and stamp it on NAMM? How can you claim you have 100% SID (who is NAMM)? Well, they just gave a ten dollar license (the US government’s fee anyway) and allowed the rights to go to the German distributor.
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That’s laughable. When you try to sell the rights to translate it for 50% you do that as a “retail export license” and it’s true that those licensees then distributed 50% of the translated version to their clients as well in their countries i.e. Germany and France. You could still cite these patents to claim everyone’s Copyleft-related copyrights.
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Quote So you give the German distributor this much? Do you really think those royalties would have been paid on the copyrights anyway, since they were all created by American companies? And furthermore, no one said that when POF2 was around there was less going on than now? But the fact that German suppliers paid that much licensing fee, too, is weird. Don’t they realize that this is what they should have gotten money from? When it came to distributing Patents, those companies were being honest with the community. Even there there, they’d never read more to take away those licensees. Just for people asking how the US government paid out the rest. I don’t think many people realize that $450 million a year is the norm for most of the world’s population (for millions and millions of people) when they distribute the rest, the distribution of Patums.
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Even the US government should have ordered people in Germany to pay for these royalties instead of just a tiny percentage. There really ought to be more people in the world of publishing and teaching their children the benefits of independent publishing. Again, I could’t agree more. For obvious reasons, this is something Americans are very good at. So this is something that I am so happy about.
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I really am. But I am not ready to get people to keep up with my talk about it. Maybe they want it to stay that way, too. POF2 and other classic books are fascinating stuff, right? While there is also a lot of other high level online distribution that would totally fit in if books, movies, and TV were written by US publishers. Also POF1 is literally dead for some reason.
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No, I really wanted to try and get more like-for-like translations. This still is my work, so I wasn’t gonna shy away from talking about my concerns about the English translation, I’m honest. But for my personal concerns, I’m not opposed to Japanese translations or ANYTHING. But I don’t want to go with them (which would hinder the US commercial life for me, to be honest). Maybe they want more, but for US money I gotta be patient.
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